Bob Dylan

Friday 1st May 2009 (Liverpool Echo Arena)

Set List: Watching The River Flow, Don't Think Twice, It's All Right, Things Have Changed, Boots Of Spanish Leather, The Levee's Gonna Break, Sugar Baby, Tweedle Dee & Tweedle Dum, Po' Boy, It's Alright, Ma (I'm Only Bleeding), Just Like A Woman, Highway 61 Revisited, Something, Thunder On The Mountain, Like A Rolling Stone, All Along The Watchtower, Spirit On The Water and Blowin' In The Wind.

Liverpool’s impressive new waterside arena has seen numerous big names come through its doors in the last year. It would take a convincing argument to say that there has been anyone more stellar than Bob Dylan taking to its stage.

As a veteran attendee of numerous gigs down the years, the folk troubadour’s name was the one that had escaped the list of bands and musicians that I had seen; this gig gladly rectified that glaring omission.

Despite this being my maiden Dylan gig, I was well versed in what to expect from his set list; as a prelude to the gig I spent the afternoon listening to a few of his older hits. The expectation that I would hear these songs in the form that I was familiar never crossed my mind.

In some instances you were unsure of a particular song until you heard snippets of familiar lyrical couplets, It’s Alright Ma (I'm Only Bleeding) again was one song that differed to the original version so much, that I only realised what song it was when he sang, ‘He not busy being born, Is busy dying’; Even that was difficult to discern beneath Dylan’s rasping vocals.

When arguing with those who don’t appreciate the nature of his vocal abilities would probably have had a field day tonight. In truth the voice has never been a thing of greatness and given its limitations, it has mainly been a vehicle for his poetry and lyricism. Though that said there is something heartening in hearing the lived-in croak of his voice.

The song arrangements of today have no doubt been changed to enable the songs to work with aging Dylan vocal range, like a Rolling Stone is another example of song that on records lifts from the opening bars and swirls away into the stratosphere; today’s version is a lot more restrained but it still gets the crowd going.

Probably the only arrangement that sounded familiar all night was All Along the Watchtower and that was only because the impressively assembled band had opted to perform Jimi Hendrix’s version of the Dylan penned song.

Dylan barely spoke throughout the evening but this wasn’t to be construed as a display of surliness or contempt on his part. It was merely the consummate professionalism of the artists that got on with the job in hand as he rattled through 17 songs in just under two hours.

Any perceived aloofness could be countered with his gesture of playing to the crowd with a cover of the Beatles’ Something - no doubt in tribute to his friend George Harrison. As you can imagine that was well received by the Liverpool audience.

Unconventionally the gig stated early and saw the crowd depart into the balmy Liverpool night at a time when most gigs would usually be starting. Though most would have enjoyed what had gone before, hopefully I can make it to a second Dylan gig sometime soon.